The acoustic segment of the guitar effects kingdom is a completely different beast to the electric guitar. But, just like the electric guitar there are awesome effects pedals that just take your sound to new heights.
Why would you want to use effects pedals with an acoustic guitar? Many others enjoy using effects to wash the woodiness right out of their acoustic tones. In addition, loopers, high-tech direct boxes, and all-in-one multipurpose machines can be godsends as practice tools, as well as to raise live performances. For example, my favourite acoustic pedal consists of the EchoPlex pre amp as is boost the volume of your guitar and thickens out the tone to punch through a mix.
In this article, I will discuss about these pedals in more detail.
1. Best Tremolo Pedals For Acoustic Guitar
Tremolo effect and tremolo pedals have been very common for a long time. This is one of the most long-standing guitar effects in use, but slowly dying out.
As players those days had very limited options when it comes to changing tune, tremolo became trendy quickly. There are some concerns if tremolo effect pedals can be used with acoustic guitar. And of course, it can.
But, which ones work best now?
An understanding of how a tremolo works can allow you to choose a proper setup, thus giving you the right feeling you need in your music. Today we are going to tackle this subject and some various types of tremolo pedals.
Boss TR-2
Since first entering the market, Boss has always been a long-standing brand of guitar effects pedals. Although they’ve hardly produced quality models recently, Boss pedals are promise to get the job done and deliver top-tier performances.
Like other guitar effect segments which have Boss footprint, they also own a quite strong tremolo unit that overwhelm the medium range. One of the most concrete tremolo pedal on the market are mentioned.
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Even though it’s not the most complex trem stompbox on the market, Boss TR2 makes up for its basic form with a rather decent performance. Great tone quality and a lot of range for a simple design such as this one is mentioned. Having a good tremolo vintage at this price? This would be a real deal. If you are looking for a good affordable option, this Boss unit is definitely the one solution that you can always believe in.
Advantages, not only can it grant user friendly controls, but it also has a compact footprint and square wave for a truly overt chopping effect.
That is the reason why The Boss Audio TR-2 tremolo pedal is a great example of of a ‘no-frills’ guitar effect pedal from an esteemed and reliable company which provides adequate adjustment capabilities. Boss pedals are world-renowned and rightly so!
Strymon Flint Pedal
It’s been fun to watch Strymon confound analog dogmatists over the last few years. The company’s Blue Sky reverb and El Capistan delay are elegant, strikingly accurate and DSP takes on difficult-to-emulate analog effects. And only the most-curmudgeonly luddite would fail to be impressed by how alive and authentic Strymon’s effects can sound.
With the introduction of the Flint, Strymon set its sights on the most ardent of analog purists. After all, the union of reverb and tremolo is the cherry on top of some very classic amps—and as a consequence, about the only effects a lot of analog devotees will touch. Not surprisingly, the Flint nails those vintage tones. But the Flint is not strictly an exercise in vintage simulation. It also enables delicious combinations of vintage colors and contemporary tones that invite creative exploration.
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Like most Strymon pedals, the Flint is thoughtfully designed and packs a lot of functionality in a compact layout that’s intuitive and not too cluttered. The three knobs, toggle switch, and footswitch to the right are dedicated to the reverb section, where the toggle switches between a ’60s tank-style voice, a ’70s solid-state plate-style reverb, and an ’80s digital rack-like voice.
There’s plenty of precedent for the reverb/tremolo tandem. But what Strymon does with the recombinant possibilities of these particular flavors is inspired. The Flint can move from gutter-tough noir moods, to sun-bleached surfscapes, to time-and-space-stretching ambience with a few simple tweaks. Strymon’s work on this front will no doubt delight DSP believers and those that listen with open ears.
Wampler Latitude Deluxe V2
The all-American Wampler Latitude deluxe tremolo pedal has a few more controls to fiddle with, which should be expected of a deluxe model. In addition to common speed (rate) and depth controls it features space, attack, and level to play around with the core tone of the tremolo.
The Wampler Latitude tremolo makes for a great modulation pedal, capable of producing consistent classic tremolo tones as well as modern stutters and chops. Choose between 3 sound wave settings; sine waves, peak waves, and square waves and tweak fraction by fraction for a multitude of desirable effects.
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Offering 4 rhythm subdivisions (quarter notes / eighth note/ dotted eighth and triplets), this tap tremolo pedal allows for refined manipulation over the sound. It has an intelligent tap tempo control, which not only allows you to tap the beat but can adjust as it goes for perfect synchronization.
About the advantage, it owned a volume knob control to make sure subtleties aren’t lost in the mix. Also, it relays true bypass and finally, it has speed control that sets peaks per minute. The additional parameters that can be changed give the user more authority over the sound effect they are looking to procure, the Wampler Latitude deluxe tremolo pedal offers a range of different tremolo styles from the less invasive to tense helicopter chopping.
Joyo JF-09
There aren’t many tremolo reviews that include the Joyo JF-09 but here is ours! It is a true bypass, ‘stomp box style’ tremolo pedal and uses the same optical circuitry as employed by a fender amp. The guitar effect pedal has 2 basic parameters to dial in-to which is all a tremolo pedal essentially needs. You can control the speed with the rate control and adjust how apparent the changes are within the mix, by tweaking the intensity controller. Delivering vintage warbles and powerful pulsations with ease.
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The Joyo JF-09 is of decent dimensions to fit most pedal boards, but not so small you step on other multi-effects pedals such as a looper pedal or distortion pedals, in the process, a pet peeve of most pedal board users. The speed can be adjustable from hardly noticeable changes all the way up to the high speed thrum of a modern choppy stutter.
About the advantage, it has LED to keep a tab on power status. Also, it contains No-Frills, a good starter pedal. Moreover, battery automatically saves when used with the adapter. The reason it become quite popular is that the LED flashes in time to the pulses making it easy to work out what adjustments to make to shape your sound. Without a doubt you won’t get much more for this vintage tremolo pedals’ low price tag in another product.
2. Best Pre-Amps For Acoustic Guitar
Acoustic guitars are known to produce clear sound and vibrant tone, resonating the melody through and through. But when the signal from your instrument to the amplifier is a tad too quiet or unbalanced, a pre–amp (or a pre – amplifier) is worth considering.
As its name suggests, the pre–amp modifies the signal from your guitar before feeding it to an amplifier. Sounds enhanced by pre – amps are louder in volume and brighter in tone. The quality of these devices also reflects on the shape of the sound they produce: the highs, the lows, the power and the volume; and the amount of noise eliminated in your signal. A pre – amp of premium caliber will offer a wider range of control over the sound, giving you more room to experiment with and tune the sound to match your preference.
The pre – amp for acoustic guitar is the control panel, that is either an aftermarket modification by the user or factory–manufactured with the guitar itself. Many guitars are designed with built in pre–amps, usually located above the guitar neck. This should give the users the ease of access to the panels every time they need to tweak the sound during their performances. Aftermarket pre–amps are accessories that can be installed onto the guitars or simply connect with the guitars via cables.
In the search for the best pre–amps for acoustic, one could not help but stumble upon the names of Fishman or LR Baggs. But to find out which of them will prevail in the contest of premium pre–amps, a more thorough research ensues.
Fishman Aura Spectrum D.I.
The name Fishman made its introduction to the world of guitar pre–amps in a very early stage and has since proven its fame. Pre–amps by Fishman are diverse in both selections and characteristics, usually allowing a wide and accurate control on the sound over compact designs. This brand has allied itself with many global guitar makers. If you find an acoustic guitar with a pre–amp, there is a great chance that said pre–amp is produced by Fishman.
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The Aura Spectrum D.l. is the pride of Fishman. This is an aftermarket pre- amp that is designed to enhance the sound of your built in pickups. First sight of the Aura can shun the beginner guitarists due to the intimidating amount of knobs. “With great power, comes great responsibility” – people just simply refuse to assume the responsibility to this newfound power. Pour yourself in experimenting with this pre–amp and revel at its capability. The one unique innovation the Aura has in its powerful arsenal is Acoustic Imaging function, transforming your integrated pickups to an improvised studio microphone. To back up this feature, Fishman has installed within this unit 128 “images” for the users to browse. This means with just a twist of the knob, the Aura will bring you and your instrument to a studio specially tuned just for you. If the number 128 cannot satiate the greed within you, plug the pre – amps to your computer and choose from 500 more online. Whatever you want Fishman has you covered.
Aside from said benefits, this unit also outperforms a number of its peers in terms of diversity. The Aura packs six knobs to monitor and adjust the product sound. With such a capability, it takes time to get familiar with the power of the Aura to find the perfect settings for you.
LR Baggs Venue D.I.
Compared to the Aura by Fishman, the Venue boasts quite an interesting and no less alluring design. The exterior is not as compact as the Fishman Aura. In fact, the housing is considerably larger than most pre–amps nowadays. This choice of design allows LR Baggs to cram in as many features its consumers may need in one single unit. The rugged design is also the testament to its sturdiness, ensuring the pre–amp pass the test of time.
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Similar to the Fishman Aura, the interface of the Venue can put off novice users, packing ten control knobs in total. In the hand of a dedicated player, the Venue shines at reflecting the inside emotions and passions within. The control it offers can be employed to tune the natural sound of the guitar to perfection, recreate and materialize the melody its maker has in mind. The EQ cluster on this pre–amp is one of the most accurate one can find, rivaling the Aura by Fishman. The Venue does not offer fancy features such as pre–installed images like its rival Fishman, instead, it has two footswitches: Boost gives you an upgrade in volume while the second one, the Mute – tune, silences the output of the pre–amps and engages the tuner.
3. Best Chorus Pedals For Acoustic Guitar
Guitars are one of the most versatile instruments the world has to offer. Excelling in almost every genre, from light and uplifting country and pop music to heavy metal, no doubt the effects accessories for guitars are so diverse. One of those effects popularised by artists in the 80s, the chorus effects may as well take the spotlight.
The chorus effect, generated by the chorus pedal, splits the signals into parts and delays them. It also thickens and colours the sound from the instrument. In Layman’s term, plugging in the chorus pedal will result in the guitar sounding as if backed by multiple guitarists, creating a “chorus”. The pedal knobs should allow approximately three knob control, namely the depth, rate and tone, this number will differ depending on the purpose of each.
And within the pedal industry, leaving out the brands like Ibanez and Boss is simply disrespectful. Below we will discuss the chorus pedals argued to be the best of its kind.
Ibanez Chorus Mini
Ibanez took the world by surprise with its Tube Screamer product line, aiming at electric guitar. But that does not mean overdrive pedals are all Ibanez is capable of. In fact, the Ibanez Chorus Mini is revered by many to be one of the best in the market and it is possibly the best one to go with an acoustic guitar.
At first glance, the pedal assumes a compact, and almost cute chassis in a purple colour scheme. The small design makes this pedal a perfect companion for those constantly on the road, which, most of the cases, is acoustic guitar players. The Chorus Mini too bears Ibanez – standard durability. The aluminium chassis is durable and seemingly invites all kinds of rough handling.
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Bearing three knobs for control, the layout is comprehensible, making the overall pedal easy to use, even for novice guitar players. The three control knobs are depth, level, and speed. Such simple design is suitable for adjusting on the go, combine with the compact housing, the Chorus Mini makes for an ideal pedal for any acoustic guitars.
The Chorus Mini retains an iconic, and vintage analog vibe in the sound, which is loved by many. The chorus effects fall on the subtle end of the spectrum but maintain a smooth and creamy tone. These characteristics make the Chorus Mini almost a perfect option for acoustic guitars, which emphasize soft, forgiving sounds.
Boss CE – 2W
Boss has the privilege to showcase its power in the world of effects pedals as they were the first to introduce the chorus pedal – the CE-1. Its next product was the CE-2, adopting a thicker and smoother tone to the sound.
The CE – 2W was the attempt of Boss at taking the sound of the world’s first effect pedals and putting them into the next generation. The final product is a pedal to bring back the sound of the pioneer after many decades of affection and pride from Boss. As it was a product which marked the 40 – year anniversary of Boss, the CE-2W was proudly manufactured in Japan, birthplace of the legendary CE-1 and CE-2.
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At the center of the pedal is a switch between the “standard” mode and CE-1 mode. As a homage to the CE – 2, the CE – 2W is almost identical in sound in its standard mode, with an entirely new sound field and stereo output. Push the center switch a tad to the right will trigger CE-1 mode. The CE-2W accurately captures the iconic stereo chorus and vibrato sounds of the CE-1. That is not to say the CE-2W is just an overused shadow of its predecessors. Push the switch all the way to the East will force the pedal into a full–on vibrato mode, inviting all pitch–bending pleasure from the players. Further fiddling with the pedal will reveal more of its power, which are two more stereo sound modes in CE-1 mode.
FISHMAN AFX Chorus
If you want a range of modulation sounds to suit acoustic guitar, this is your pedal.
The AFX Chorus pedal might be more accurately described as a modulation pedal as it covers a range of such effects. It has three types of chorus, stereo and mono tremolos, flanger, phaser and rotary speaker presets, all adjustable by a tone knob and a speed knob.
The first observation, which applies to all three pedals, is that there really is no colouring of the inherent sound coming out of the jack on your electro-acoustic – you get out what you put in and, tonally, the effects combine well.
The level control, while expected on a delay or reverb pedal, is more unusual in this context and, when not cranked clockwise for the full effect, is really useful for creating subtle blends with just enough effect to put an interesting slant on the sound without overpowering it.
There are plenty of electro-acoustic guitars being played on stages all over the world these days, and an increasing number via one or more pedals – the Boss tuner pedal, for one, seems to be an ubiquitous part of the singer-songwriter’s arsenal. However, it’s probably fair to say that most of the pedals on the market are designed and voiced for use with standard electric guitars, with the resulting possibility that the acoustic player isn’t really getting the optimum results from them. Fishman, the acoustic pickup specialist, is aiming to remedy that with the new AFX range of pedals which are designed to be used by acoustic musicians without having any adverse effect on the signature sound of their instruments. To achieve this result the effects are EQ’d in sympathy with the resonances of an amplified acoustic guitar and, rather than the whole signal getting the full effects treatment, the effected sound is added in parallel with the direct sound proportionally so it can be used subtly without completely colouring the sound.
If you play an electro-acoustic on stage and want more variety in your sound or just more control over it, rather than leaving it to whoever is working the PA, then the AFX Chorus may be for you.
The pedal is a little pricey so will probably only appeal to the really committed, but what you get is a classy sound and a build quality that looks like it would last a lifetime, so the expense could be justified.
4. Best Over Drive For Acoustic Pedals
The idea behind overdrive effect is to imitate the distortion you get when the tube amplifier is cranked all the way to eleven. But the traditional method to attaining such an effect would drive your neighbours over before your guitar sounds somewhat overdrive. As a result, resorting to a pedal so as to mimic the overdrive seems a much more viable option, and also a more amicable one at that.
But the delicious question is: would you really want distortion effects on your acoustic? Said notion suggests a deliberate yet unconventional approach, and one not without substance. However unorthodox, overdrive on an acoustic can actually be beneficial given the particular context and subjectivity. Plugging in an overdrive pedal to your acoustic can result in a boost in your signal and an original “dirty” sound.
Because overdrive and distortion are effects more familiar with the use of electric guitar, its older cousin, the acoustic guitar is just not as favoured. Thus the overdrive pedals dedicated to its cause are not as diverse. But that is not say quality options are non-existent. There are a few overdrive pedals that are designed to accompany the acoustic element that have earned their reputation throughout the years. The notable ones being the Voodoo Lab Sparkle Drive and BBE Acoustimax Acoustic Instrument Preamp.
Voodoo Lab Sparkle Drive
Voodoo Lab has earned its reputation within the sound industry for creating instruments of great value. When Voodoo Lab introduced the Sparkle Drive, users quickly picked up and be amazed by its sound and quality. No doubt was cast that this is one of the most practical and versatile pedal of its kind.
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The Sparkle Drive features three usual control knobs seen on most overdrive pedals on the market, namely: gain, tone, volume and with an addition of a clean knob. This very knob distinguishes the Sparkle Drive from the others. With a twist, the knob will fuse two different effects and customise your drive, or simply give your guitar a clean boost.
Users who have fiddled with overdrive pedals in the past will quickly notice upon using this unit a familiar, and almost welcomingly nostalgic sensation. This is an Ibanez Tube Screamer with a clean boost. Thanks to this characteristic, the Sparkle Drive makes for an effective option for acoustic guitar, giving it a slight boost in gain and volume but not at the cost of cleanliness.
BBE Acoustimax Acoustic Instrument Preamp
While other manufacturers want their products as polished and eye – catching as possible, BBE decided that looks are overrated, and one would only concern for the sounds when it comes to pedals. One glance at the Acoustimax by BBE proves just that. The Acoustimax is a simple, almost plain – looking pedal. Its knobs are displayed on an aluminum chassis, which is a grey and red metal box. Rumors have it, BBE took inspiration for this design from the control panels at their own factories.
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While the two-color exterior is not that tempting, the Acoustimax guarantees a vibrant and warm and yet so balanced tone. This pedal also features an accurate EQ with semi parametric mid control. The Sonic Maximizer has the ability to align the sound in the low frequency with that from the high, resulting in a brighter, more powerful tone. That combines with a twist of the gain knob which brings out the grittiness unique to overdrive effects.
5. Best Reverb Pedals For Acoustic Guitar
The word reverb has effectively summed up the purpose of the reverb pedals. In essence, reverb is the effect you get when sound collide with any hard surface and bounce back to the listeners. In the old days, reverb effects are achieved by constructing a concrete studio room, which is the ideal condition for natural reverb. But today, constructing such a room in your own basement would be quite an ordeal so we just settle with the digital effects created by the reverb pedals, which are much convenient and cost–effective compared to that room.
While acoustic guitar offers some reverb thanks to its sound chamber, if the mic setup just isn’t right, the signal can be erratic and go haywire on the amplifier, drowning out the signature acoustic sound. In that case, a digital reverb pedal is just what you’re looking for.
Boss RV-6
Boss is a great manufacturer of guitar pedals. They generally offer great value for the price, their durability is well beyond your average pedals and they are just so easy to use. The RV-6 is just that, stomp it however you like, your legs will give in before it does. Its button arrangement is very comprehensive, one glance is more than sufficient to tell you what it can do. Aesthetically, this pedal gives off a vintage feeling. The grainy texture adds in a hint of rigidness and the dark colour scheme complements the whole structural design very well.
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The RV-6’s predecessor, RV-5, introduced six reverb types. While that number is quite a plenty, Boss just isn’t satisfied as the RV-6 increases the knob count to eight, removes one effect but adds three more. The pedals retain four knobs like its predecessors, respectively: E.Level, tone, time and modes knobs.
The reverb produced by this pedal can be considered studio quality, no matter the modes you are choosing. Each mode is considered to be full and warm, yet so surprisingly rich and immersive in each reverberation. The traditional modes from the RV6 are very similar to the RV5, it is the new additions, namely shimmer, + delay and dynamic. Shimmer is one of the most popular effects to this pedal. It creates a reverberation accompanied by added octave effect. The outcome is a smooth reverberation as if created from a stage and backed by few other players.
JHS Morning Glory V4 Overdrive
JHS Morning Glory V4 has unbelievable tone and touch sensitivity. Keeping in tune with your sound with the help of Morning Glory is a piece of cake, and this is all thanks to its layout. One just needs to crank the drive control until you reach your desired level of overdrive, then twist the “Tone” knob to generate your sweet spot. What’s next is you would need to set your master output level with the “Volume” knob. Take a look at some of its remarkable features below.
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It is designed to be one of the most transparent overdrives out there. Also, it adds mid- to low-level grit to your crystal-clean tone and tube-like touch response to a less-than-ideal amp and boosts a crunchy tone into thicker sustain and switches between two gain levels on the fly. Moreover, it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has and gain control sweeps from completely clean to rock ‘n’ roll. The next point is that it can tame the high end on brighter rigs with the side-mounted bright-cut switch and features increased headroom and output for use as a full-frequency boost.
From the above-mentioned, the Morning Glory no doubt can be considered as one of the most well-known overdrive pedals. If one needs to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. Here are some of the reviews received from Amazon: “So Beyond the hype. It’s outstanding”, “This does everything”, “LOTS OF DISTORTION IN A GOOD WAY”, “What I’ve been looking for.”.
6. Best Delay Pedals For Acoustic Guitar
Delay is one of the most used effects in guitar. In essence, delay effects will playback every note after a definite period, similar to having someone imitate your performance, only a few seconds out of tempo. In reality, people have plenty of times created delay effects not through the use of an effects pedal. Imagine shouting at a vast canyon or valley and expecting the echoes to travel back to you, delay effects are the same echoes. But not to confuse with reverb, in which your melody will be backed up by multiple layers of echoes and gradually diminish.
An average delay pedal would feature three control knobs, which will govern the time, the depth or level, and the repeat or feedback. The time knob adjusts the time between the actual playing and the echo while the depth or level one controls the volume of said echo. The regeneration or repeat knob decides the number of times said echo is played.
Boss DD-7
The DD-7 by Boss belongs to a long history of delay pedals tracing back to the previous century. Th DD-7 is designed the same way that every Boss pedal has been: well-built, intuitive, encased in a classic metal housing.
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This pedal offers three usual controls you would find on delay pedals, with one added feature being the mode knobs, which are very typical of Boss. For this pedal alone, Boss has installed eight modes, most notable of which are: hold, reverse, analog and modulate modes. The analog mode on this pedal are the spotlight of them all, giving you a distinct warm and full sound hardly found in other pedals.
The delay effects generated by the DD-7 is clear and smooth, bringing back the vibe of the 80s. This smooth and creamy tone does well in complementing the clear and natural sound of the acoustic guitars. Intuitive designs allow the players to fine tune their signature sound in no time
Digitech X-Series DigiDelay
The X-Series DigiDelay, or briefly XDD, is one proud child of DigiTech. One look at the XDD’s metal housing suggests a rigidness rivalling that of the Boss DD-7.
Aesthetically, this is one of the more modern looking pedal you can find on the market. A monochrome colour scheme and finished by a brush metal housing gives off a new breath amongst green, purple or orange metal boxes.
Similar to the Boss DD-7, the XDD offers four knobs for control in total, with the last being the mode knob, featuring seven modes exclusively for the X-series. The XDD outdoes most of its contenders in delay period, which clocks at 4 seconds. This, if tuned correctly with types of delay modes featured, will produce an effect that is only limited by your imagination.
While the main selling point of this pedal is versatility, what keeps the users interested and even engrossed is very well hidden. While other pedals will cut off the effect after being turned off, the XDD will actually finish it, resulting in the sound slowly fading away. Paired with an acoustic guitar, the pedal can do wonders. Channelling the guitars organic prowess and build up using a warm and full delay, then finishes off the melody in a way no less spectacular.
7. Best Looper Pedals For Acoustic
The concept of a looper pedal is straightforward, its name says it all. This pedal allows you to record segments of your playing and play them continually during the performance, consequently creating a “loop”. On the market, you can generally find two types of looper pedals. The first type allows one loop to integrate into your song, creating an overall more colourful performance. The second works similarly to the first but does not restrict the number of the loops, giving the ability to stack loops, creating layers for your song.
Unlike most effects pedals on this list, the looper pedals are used quite often by acoustic guitar players, especially soloists to bring a music background to their songs. The use of these pedals are populated by many successful singers, most prominent of them would be Ed Sheeran.
Boss RC-3 Loop Station
When it comes to effects pedals, one just needs to make sure he doesn’t leave out Boss. The RC-3 is one of the newer generation of effects pedals by Boss. This statement does not imply that the RC-3 fails to retain the core value of Boss. The pedal comes in a classic housing by Boss, simple yet intuitive and not too cluttered. This is one of the more eye-catching pedals you can find. The timeless exterior is now coated in a red finish, giving it quite a temptation.
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Similar to most Boss pedals, the RC-3 is very easy to use. One needs but pick up, plug in and start experimenting. Owing to the nature of looper pedals, in which added effects to the sounds are not sought-after, a unit of high quality is only required to transfer the recorded melody without noise accompanied and integrate it the songs seamlessly. The RC-3 triumphs in these tasks with flying colours.
Nu-X Loop Core
The Loop Core by Nu-X in essence is the clone to the Boss RC-3. Even though the interior of the Loop Core is almost identical to the RC-3 by Boss, the outside just does not share the same design. The metal housing is rigid, seemingly flawless. In the sense of aesthetics, it looks refreshing in bright yellow finish with a smooth and curvy housing. The Loop Core looks every bit fitting on a modern guitar pedal board. The footswitch is the usual round metal button that functions in the same way as the RC-3.
Like the Boss RC-3, the Loop Core is given 99 memory slots for loops and mixes, allowing a total playtime of 6 hours 40. The installed drum patterns will give users the ease of creating a suitable tempo to their songs.
Performance
wise, this pedal offers clear and natural playback capability, creating no
noise and additional undesirable feedbacks. But in live performance, this pedal
fades in comparison with the RC-3. The audio quality of installed rhythm tracks
is just not mind-blowing, but for its price, it outdoes the competitors.
Conclusion and Recommendation
Amplifying acoustic guitar and electric guitar require slightly different ways of thinking. With electric guitar, the amplifier and effects are an integral part of creating the sound, whereas the main goal with acoustic guitar is to reinforce the basic sound of the guitar and make it louder — two separate goals, two separate sets of tools.
Although a lot of the effects names used in each case may look the same — compressor, EQ, delay, modulation, etc. — dedicated acoustic guitar effects are designed with the sonic goal of preserving and enhancing the properties of a great acoustic guitar sound. An acoustic guitar multi-effects processor/preamp combines these into one convenient unit, so you can put your thoughts and energy into making music. Thus, choosing a pedal to fit with your acoustic guitar can be a possible mission, but needs sufficient consideration.
Noticeably, if you prefer an affordable option, then Boss TR2 may be your choice. Boss TR2 follows the policy which has turned this brand into one of the most influential authorities in the industry. There’s a lot of boutique pedals that will squeeze TR2, but twice the price as much as this one. Since not everyone can afford to spend a large sum on a single stompbox, TR2 is there to get the job done with decent quality, and economical. No matter what you think about Boss, you have to respect that.
